Mahavishnu Orchestra - " Irish Streams " - Live at Ebbets Field, Denver, CO, USA, 1973-04-03 [SBD/FM][FLAC]

In its first version, the band was led by "Mahavishnu" John McLaughlin on acoustic and electric guitars, with members Billy Cobham on drums, Rick Laird on bass guitar, Jan Hammer on electric and acoustic piano and synthesizer, and Jerry Goodman on violin. This first incarnation of the ensemble was a multinational group: McLaughlin is from Yorkshire, England; Cobham from Panama; Hammer from Prague, Czechoslovakia; Goodman from Chicago, Illinois; and Laird from Dublin, Ireland. Jean-Luc Ponty was actually McLaughlin's first choice for violinist, but the idea was stalled by "immigration problems". Ponty would later play with McLaughlin on both Apocalypse and Visions of the Emerald Beyond. The group is best known for their two most popular albums: The Inner Mounting Flame (1971) and Birds of Fire (1973). This group was considered an important pioneer in the jazz fusion movement. McLaughlin and Cobham met while performing and recording with Miles Davis during the Bitches Brew sessions. McLaughlin was also influenced in his conception of the band by his studies with Indian guru Sri Chinmoy, who encouraged him to take the name "Mahavishnu" which means "Divine compassion, power and justice." McLaughlin had particular ideas for the instrumentation of the group, in keeping with his highly original concept of genre-blending in composition. He particularly wanted a violinist as an integral contributor to its overall sound. As the group evolved, McLaughlin adopted what became his trademark: a double neck guitar (six-string and twelve-string) which allowed for a great degree of diversity in musical textures, and Hammer became one of the first to play a Mini Moog synthesizer in an ensemble, which enabled him to add more sounds and solo more freely, like the guitar and the violin. Their musical style was an unprecedented blending of genres: they combined the high-volume electrified rock sound that had been pioneered by Jimi Hendrix (who McLaughlin had jammed with on his initial arrival in New York as part of the Tony Williams Lifetime), complex rhythms in unusual time signatures that reflected McLaughlin's interest in Indian classical music as well as funk, an improvisational concept that was rooted in jazz as well as Indian music, and harmonic influence from European classical music. The group's early music was entirely instrumental; their later albums had songs which sometimes featured R&B or even gospel/hymn styled vocals. In the aforementioned two albums, though, the group goes from an intense fusion of upbeat genres (a representative example of which is the song "Vital Transformation") to very serene, chamber music-like tunes, such as "A Lotus On Irish Streams" and "Thousand Island Park", which are compositions for acoustic guitar, piano and violin; or from low-key to extremely busy in a single piece, such as "Open Country Joy."
~from Wikipedia

Liberated Bootleg

Label: Highland HL565

Source SBD/FM

Lineage : CD>EAC(secure)>Wav>Flac Frontend (level6)

Line-up:

John McLaughlin - Guitar
Jerry Goodman - Violin
Rick Laird - Bass
Billy Cobham - Drums
Jan Hammer - Keyboards


Tracks:

01 - Meeting Of The Spirits
02 - Open Country Joy
03 - Improvisation > Open Country Joy (Reprise)
04 - Dance Of Maya
05 - Dawn

Total time: 55:42

Format: FLAC

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